1922

  • Earning 10 thousand réis, Radamés, at the age of sixteen, works at the Cinema Colombo with his friends Luís Cosme and Sotero Cosme (violins), Júlio Grau (flute) and two other musicians, forming a small orchestra with two violins, flute, cello, bass and piano. The ensemble animated silent movie sessions, performing pot-pourris of French and Italian songs, operettas, waltzes, and polkas. Around this time, Radamés also joined, as pianist (and possibly arranger), the Ideal Jazz Band, from Confeitaria Colombo (not to be confused with the aforementioned movie theater), a group formed by flute, violin, cello, trumpet, trombone, piano, and double bass.

 

Radamés composes:


  • Malandro (samba), for piano
    [1].

On July 6, in the city of Rio de Janeiro, capital of Brazil, the tenant revolt known as The 18 of the Fort – a movement of democratic ideals, started in the Copacabana Fort, whose objective was the overthrow of the so-called Old Republic.

[1] Although not dated,Malandro seems to be the oldest edited popular music by Radamés, contained in the author’s private archive. On its cover, the score features photos and signatures of the band members.