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Conjunto de choro em Porto Alegre. Radamés é o que está agachado, à direita, com violão. (Bairro Tristeza).
Porto Alegre, RS. !926/27. Acervo Radamés Gnattali.
Radamés flanked by the musicians of Camerata Carioca. Standing, from left, Luiz Otávio Braga (7-string guitar), Beto Cazes (percussion) and Henrique Cazes (cavaquinho). Seated, Joel Nascimento (mandolin), João Pedro Borges (guitar), Radamés Gnattali (piano and arrangements) and Mauricio Carrilho (guitar).
Foto; Arquivo MIS.
Rio de Janeiro. década de 1930/40. Foto: Arquivo MIS.
Fonte: Arquivo MIS.
Foto: arquivo MIS.
Foto: Arquivo MIS.
Foto: arquivo MIS.
Foto: arquivo MIS.
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Early 1940s. The father Alessandro, weakened by a serious illness, embraces his sons Radamés and Ernani.
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'Quando os maestros se encontram', a program that brought together the greatest conductors and arrangers of Rádio Nacional. This photo shows some of the legendary arrangers from Rádio Nacional: from left, Alexandre Gnattali, Romeu Ghipsman, Ércole Varetto, Radamés Gnattali, and Léo Peracchi.
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1956. The conductor, violinist Romeu Ghipsman, representing the musicians of the orchestra, friends and colleagues from Rádio Nacional, passes to Radamés' hands the gift of his 50th birthday. Radamés' fiftieth birthday and the 20th anniversary of Rádio Nacional, in 1956, are celebrated in a gala evening at the station's auditorium, with a cocktail party and the radio broadcasting of a concert with compositions and arrangements by Radamés, conducted by Léo Peracchi. Several tributes are paid to Radamés, such as those from musicians, employees, and directors of Rádio Nacional, as well as from the Continental record factory, the Tijuca Tênis Club. A bronze plaque is unveiled with the inscription 'Estúdio Radamés Gnattali', the name of the station's main studio.
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Radamés and Chiquinho do Acordeom.
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