{"id":9138,"date":"2022-03-07T16:43:53","date_gmt":"2022-03-07T16:43:53","guid":{"rendered":"https:\/\/radamesgnattali.com.br\/project\/"},"modified":"2022-07-25T17:55:50","modified_gmt":"2022-07-25T17:55:50","slug":"project","status":"publish","type":"page","link":"https:\/\/radamesgnattali.com.br\/en\/project\/","title":{"rendered":"Project"},"content":{"rendered":"\t\t
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Radam\u00e9s Gnattali is national and worldwide recognized as one of the greatest masters of Brazilian and Latin-American music. His concert work has consistent volume, about 300 pieces, among piano and guitar solos, as well as many chamber and symphonic music.<\/p>

As far as the popular music is concerned, he also shines with a singular position if compared to his contemporary colleagues. Not only for the volume of his production, but also for his intensive and collaborative presence and action towards the popular musicians always working out with piano players, samba composers, singers and chor\u00f5es in the daily toil at the radio stations and recording sets. Radam\u00e9s has always realized and confessed how much he has learned from them.<\/p>

(\u2026) I have always worked with popular music and I really like it. In fact, I owe it to this that I do something Brazilian today (\u2026)\u201d. \u201cMy music is all Brazilian, based on folkloric and urban themes from Rio de Janeiro\u201d<\/em>.<\/p>

This explains why Radam\u00e9s liked to write for his friends so much and his instruments were little contemplated by the composers of his time. His classical music catalog includes concertinos, concertos, sonatas and sonatinas, entertainments and suites for mandolin, accordion, cavaquinho, drums, electric guitar, 7-string guitar, tambourine. And it is from these works that musicians of the greatness of Jacob do Bandolim, Edu da Gaita, Joel Nascimento, Chiquinho do Acordeom, Garoto take the stage of the Municipal Theater of Rio de Janeiro for the first time to perform as concert performers.<\/p>

Founder of the orchestral arrangement for Brazilian popular music, alongside Pixinguinha, Radam\u00e9s was also a pioneer in the sophisticated way of orchestrating the simple music of the urban songbook, without ever mischaracterizing it. The symphonic percussionist and drummer Luciano Perrone, famous for having systematized the samba batucada on the drums, in the 1920s, made an interesting comment about this characteristic feature of the maestro friend’s work:<\/p>

\u201cRadam\u00e9s is impervious because when he makes popular music it is popular music and when he makes concert music it is concert music. One does not interfere with the other. As arranger and conductor, he makes a symphony orchestra play a samba without taking away its spirit, nothing smells like a symphony\u201d.<\/em><\/p>

In fact, Radam\u00e9s knew, like few others, how to divide time and inspiration between the erudite and popular genres, in a balanced way, without one getting in the way of the other, establishing a natural and rare communication between aesthetics considered irreconcilable, until his arrival.<\/p>

Project<\/strong><\/p>

The Radam\u00e9s Gnattali digital catalog of popular music project<\/em>, selected by the Rumos Ita\u00fa Cultural program \u2013 2017\/18, adds to the digital catalog of classical music by the gaucho composer, organized by us and released on multimedia CD-ROM, in 2005. , sponsored by the Petrobras M\u00fasica\/2003 program.<\/p>

In 2006, on the occasion of the centenary celebrations of his birth, we launched Radam\u00e9s Gnattali’s first website, remaining on the web until 2017 when we took it down to restructure its operating system.<\/p>

Goals<\/strong><\/p>

Conceived and produced by Roberto Gnattali and Adriana Ballest\u00e9, the Radam\u00e9s Gnattali digital catalog of popular music<\/em> fulfills the following objectives:<\/p>

. Create the first digital catalog of popular music works by the composer Radam\u00e9s Gnattali, divided into two distinct categories: a) compositions; b) arrangements.<\/p>

. Inventory, digitize and catalog in an image bank, all popular music scores \u2013 compositions and\/or arrangements \u2013 collected in the composer’s personal archive and other sources.<\/p>

. Build and launch on the web the new Official Radam\u00e9s Gnattali Website<\/em>, bilingual (Portuguese \u2013 English), containing the maestro’s unprecedented digital catalog of popular music.<\/p>

. Contribute to the preservation and dissemination of the work of Radam\u00e9s Gnattali, nationally and internationally, expanding the dialogue between the administration of its collection and the user public.<\/p>

justification<\/strong><\/p>

compositions<\/u><\/p>

Radam\u00e9s composed around two hundred pieces of popular music. If, on the one hand, his concert music was recorded in sheet music, with all the rigor of musical language, cataloged in notebooks and filed in folders, the same was not true of his production of popular music. Not that he stopped writing a composition because it was a choro or samba, on the contrary, we know that Radam\u00e9s wrote everything. For him, popular or erudite, music was music. However, the master did not devote the same care to his popular repertoire as he did to his concert music. The result of this is that several of his manuscripts were lost, no one knows where, leaving those songs only recordings and\/or comments in the press. Although not included in the catalogs on this site, due to the lack of a physical document (the score), even so, we were careful to list all the titles of works by Radam\u00e9s that we were aware of, always seeking information from reliable sources.<\/p>

Arrangements<\/u><\/p>

Radam\u00e9s’ arrangements, which are part of the catalogs of this project, were selected according to the following criteria:<\/p>

1) Arrangements for your own compositions.
2) Special arrangements (*) for music by other authors, written for chamber ensembles directed by the maestro, such as the Radam\u00e9s Duo and Aida Gnattali<\/em>, the Radam\u00e9s Sexteto<\/em>, the Camerata Carioca<\/em>, the Orquestra Brasileira<\/em> de Radam\u00e9s Gnattali, among others.
3) Special arrangements (*) for songs by other authors, written for any type of group.<\/p>

_______________________<\/p>

(*) \u201cSpecial arrangements\u201d are understood to be the more elaborate ones, in which Radam\u00e9s made use of compositional resources commonly used in his concert work.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Radam\u00e9s Gnattali digital catalog of popular music<\/strong><\/em>
Radames Gnattali Official Website <\/strong>
<\/em>
Equipe do projeto
<\/b>. Sheet music inventory: Nelly Gnattali | Roberto Gnattali | Fl\u00e1vio de Paula
<\/b>. Sheet music cataloging: \u00c1lea de Almeida | Adriana Ballest\u00e9 | Tomaz Retz
<\/b>. Tech support: Monocromo
<\/b>. Search \/ texts: Roberto Gnattali | Maria Clara Wasserman<\/strong>
. Press search: Jamerson Farias | Roberto Gnattali
<\/b>. English text version: Lidia Becker
<\/b>. Text review: Liana Koiller Schnoor
<\/b>. Scanning sheet music: DOCPRO
<\/strong>. Editing \/ Reviewing Sheet Music: Jayme Vignoli | Jos\u00e9 Staneck | Luiz Fl\u00e1vio Alcofra | Marc\u00edlio Lopes
<\/strong>. Accounting: M & A Consultoria Cont\u00e1bil Ltda.
. Visual programming: Daniel Gnattali
<\/strong>. Art direction\/Webdesign: Luciana Ara\u00fajo | LUMYX design
<\/strong>. <\/strong>Development and CMS \u2013 Mileni Santos<\/strong>
. Coordination of information technology and architecture: Adriana Ballest\u00e9<\/strong>
. Overall coordination: Roberto Gnattali<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Thanks<\/strong><\/em><\/p>

. A\u00edda Gnattali<\/strong> (in memoriam)
. Alexandre Dias<\/strong> (IPB-DF)
. Alexandre Loureiro<\/strong> (RJ)
. Andr\u00e9 Cardoso<\/strong> (ABM-RJ)
. Carla Gnattali<\/strong> (RJ)
. Discoteca MB [Miguel Bragioni]<\/strong> (SP)
. Hugo Pilger<\/strong> (RJ)
. Jairo Severiano<\/strong> (RJ)
. Jussara Gomes Gr\u00fcber<\/strong> (DF)
. Luciana Rabello<\/strong> (Casa do Choro-RJ)
. Luis Antonio Santos<\/strong> (RJ)
. Luis Rabello<\/strong> (NL)
. Nelly Gnattali<\/strong> (RJ)
. Paulo Arag\u00e3o<\/strong> (Casa do Choro-RJ)
. Paulo Santoro<\/strong> (Quarteto Concertante-RJ)
. Priscila C\u00e2mara<\/strong> (RJ)
. Sandrino Santoro<\/strong> (RJ)
. Saulo Augusto Sanabio<\/strong> (RJ)
. Sergio Prata<\/strong> (RJ)
. Val\u00e9ria Peixoto<\/strong> (ABM-RJ)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Consultation sources
<\/strong>
institutions<\/strong><\/p>

. Academia Brasileira de M\u00fasica: https:\/\/www.abmusica.org.br\/<\/a><\/p>

. Casa do Choro: http:\/\/www.casadochoro.com.br\/<\/a><\/p>

. Instituto Moreira Sales (IMS): https:\/\/ims.com.br\/<\/a><\/p>

. Instituto Piano Brasileiro (IPB): http:\/\/institutopianobrasileiro.com.br\/<\/a><\/p>

. Museu Villa-Lobos: https:\/\/museuvillalobos.museus.gov.br\/<\/a><\/p>


Discographs and sound archives<\/strong><\/p>

. Museu da Imagem e do Som do Rio de Janeiro (MIS): http:\/\/www.mis.rj.gov.br\/<\/a><\/p>

. Arquivo Nirez \u2013 grava\u00e7\u00f5es de discos de 78 rpm<\/p>

. Discos do Brasil: https:\/\/discosdobrasil.com.br\/ <\/p>

. Instituto Mem\u00f3ria Musical Brasileira (IMMuB): https:\/\/immub.org\/<\/a><\/p>

Bibliography <\/b><\/p>

. Barbosa, Valdinha & Devos, Anne Marie. Radam\u00e9s Gnattali \u2013 o eterno experimentador. <\/em>Rio de Janeiro: Funarte, 1984.<\/p>

. Didier, Alu\u00edsio. Radam\u00e9s Gnattali<\/em>. Rio de Janeiro: Brasiliana Produ\u00e7\u00f5es, 1996.<\/p>

. Mariz, Vasco. Hist\u00f3ria da M\u00fasica no Brasil<\/em>. Cole\u00e7\u00e3o Retratos do Brasil, volume 150. Rio de Janeiro: Civiliza\u00e7\u00e3o Brasileira \/ INL \/ MEC, 1981<\/p>

. Pinheiro, Claudia. Org. A R\u00e1dio Nacional.<\/em> Rio de Janeiro: Editora Nova Fronteira, 2005.<\/p>

. Saroldi, Luiz Carlos & Moreira, Sonia Virg\u00ednia. R\u00e1dio Nacional: o Brasil em sintonia<\/em>. Rio de Janeiro: Jorge Zahar Ed., 2005.<\/p>

. Severiano, Jairo. Uma hist\u00f3ria da m\u00fasica popular brasileira: das origens \u00e0 modernidade<\/em>. S\u00e3o Paulo: Ed. 34, 2008.<\/p>

. Severiano, Jairo & Homem de Mello, Zuza. A Can\u00e7\u00e3o no Tempo: 85 anos de m\u00fasicas brasileiras. Vols 1e 2.<\/em> S\u00e3o Paulo: Ed. 34, 1997.

M\u00eddias digitais<\/strong><\/p>

. Ballest\u00e9, Adriana & Gnattali, Roberto. Cat\u00e1logo digital Radam\u00e9s Gnattali, CD-ROM multim\u00eddia.<\/em> Petrobras Cultural. Rio de Janeiro, 2005.<\/p>

Sites<\/b><\/p>

. Cinemateca Brasileira: http:\/\/cinemateca.org.br<\/a><\/p>

. Dicion\u00e1rio Cravo Albin da M\u00fasica Popular: \/https:\/\/www.dicionariompb.com.br\/<\/a> <\/p>

. Enciclop\u00e9dia Ita\u00fa Cultural: https:\/\/enciclopedia.itaucultural.org.br\/<\/a><\/p>

. Funda\u00e7\u00e3o Get\u00falio Vargas\/CPDOC: https:\/\/cpdoc.fgv.br\/<\/a><\/p>

. Hemeroteca da Biblioteca Nacional: http:\/\/bndigital.bn.br\/hemeroteca-digital\/<\/a><\/p>

. IMS \u2013 Acervos de M\u00fasica: https:\/\/ims.com.br\/acervos\/musica\/<\/a><\/p>

. IMS \u2013 Ernesto Nazareth \u2013 150 anos: https:\/\/www.ernestonazareth150anos.com.br\/<\/a><\/p>

. IMS \u2013 Pixinguinha: https:\/\/pixinguinha.com.br\/<\/a><\/p>

. Instituto Antonio Carlos Jobim \u2013 http:\/\/www.jobim.org\/<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

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