{"id":9097,"date":"2022-04-05T20:17:14","date_gmt":"2022-04-05T20:17:14","guid":{"rendered":"https:\/\/radamesgnattali.com.br\/linha-do-tempo-radam\/1977\/"},"modified":"2022-10-26T19:42:36","modified_gmt":"2022-10-26T19:42:36","slug":"ano-1977","status":"publish","type":"linha-do-tempo-radam","link":"https:\/\/radamesgnattali.com.br\/en\/linha-do-tempo-radam\/ano-1977\/","title":{"rendered":"1977"},"content":{"rendered":"<ul>\n<li>On October 11, Radam\u00e9s gives an interview to R\u00e1dio Jornal do Brasil \u2013 FM, Rio de Janeiro, for the program <em>Especial JB<\/em>, by Luiz Carlos Saroldi, with Ney Hamilton and special participation of producer Pel\u00e3o (Jo\u00e3o Carlos Botezelli).<\/li>\n<\/ul>\n<audio class=\"wp-audio-shortcode\" id=\"audio-9097-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/04\/Track-28-album-1.mp3?_=1\" \/><a href=\"https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/04\/Track-28-album-1.mp3\">https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/04\/Track-28-album-1.mp3<\/a><\/audio>\n<p>&nbsp;<\/p>\n<p><em><strong>Radam\u00e9s talks about the beginning of his career, his entry into radio, as a pianist.<\/strong><br \/>\nExcerpt from the Special JB program, from R\u00e1dio Jornal do Brasil FM.<\/em><\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>On April 5th, within the schedule of the Second Rio Grande do Sul \u2013 Uruguay Integration Week, violinist Telmo Jaconi presents the <strong><em>Concerto n\u00ba 3 para violino e orquestra<\/em><\/strong><em> (1969)<\/em>, by Radam\u00e9s Gnattali, with the Porto Alegre Symphony Orchestra, conducted by Pablo Koml\u00f3s.<\/li>\n<li>On June 14th, the harpist Am\u00e1lia Maresca presents the <em><strong>Concerto para harpa e orquestra de cordas<\/strong><\/em><em>(1957)<\/em>, by Radam\u00e9s Gnattali, with the Porto Alegre Symphony Orchestra, conducted by Victor Tevah, at the Hall of Acts of the Federal University of Rio Grande do Sul.<\/li>\n<li>The Gama Filho University Choir, conducted by Abelardo Magalh\u00e3es, presents, at Sala Cec\u00edlia Meireles, Rio de Janeiro, for the first time,, <strong><em>Nau Catarineta<\/em><\/strong><em> (1976<\/em>), para coro misto e piano, de Radam\u00e9s Gnattali, com letra de Dom\u00edcio Augusto. Work dedicated to the group.<\/li>\n<li>The Emi-Odeon record company launches the album <em>Os Cameristas<\/em>, a string ensemble directed by conductor Nelson de Macedo, featuring, as part of its repertoire, the <strong><em>Concerto para violino e orquestra de cordas <\/em><\/strong><em>(1967),<\/em> by Radam\u00e9s Gnattali, played by violinist Giancarlo Pareschi, to whom the work was dedicated.<\/li>\n<li>Continental launches the elepe <em>Latino Am\u00e9rica para duas Guitarras \u2013 S\u00e9rgio e Odair Assad<\/em>, com o <em>Duo Assad<\/em> interpretando, entre outras obras, o <strong><em>Concerto for two guitars, oboe and string orchestra<\/em><\/strong><em>  (1970)<\/em>by Radam\u00e9s Gnattali, with the participation of oboist Moacir Freitas and<em> Orquestra Armorial de Pernambuco<\/em>with conductor Cussy de Almeida conducting.<\/li>\n<li>Radam\u00e9s is interviewed in the newspaper <em>O Pasquim <\/em><strong>[1].<\/strong> As interviewers, journalists S\u00e9rgio Cabral and T\u00e1rik de Souza, composers Herm\u00ednio Bello de Carvalho and Macal\u00e9, cartoonists Ziraldo and Jaguar, among others.<\/li>\n<\/ul>\n<figure id=\"attachment_9204\" class=\"wp-caption aligncenter\" style=\"width: 261px;\" aria-describedby=\"caption-attachment-9204\"><figcaption id=\"caption-attachment-9204\" class=\"wp-caption-text\">\n<figure id=\"attachment_7018\" aria-describedby=\"caption-attachment-7018\" style=\"width: 196px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/03\/140.jpg\"><img fetchpriority=\"high\" decoding=\"async\" class=\"wp-image-7018 size-medium\" src=\"https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/03\/140-196x300.jpg\" alt=\"\" width=\"196\" height=\"300\" srcset=\"https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/03\/140-196x300.jpg 196w, https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/03\/140-668x1024.jpg 668w, https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/03\/140-768x1177.jpg 768w, https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/03\/140.jpg 800w\" sizes=\"(max-width: 196px) 100vw, 196px\" \/><\/a><figcaption id=\"caption-attachment-7018\" class=\"wp-caption-text\">O Pasquim (RJ) &gt; &#8216;Com a batuta, Radam\u00e9s Gnattali&#8217; (entrevista). S\u00e9rgio Cabral, Ziraldo, Jaguar, Macal\u00e9, Herm\u00ednio Bello de Carvalho, and others<\/figcaption><\/figure>\n<p>O Pasquim (RJ), 6 a 12 de maio de 1977<\/p>\n<\/figcaption><\/figure>\n<ul>\n<li><strong>Radam\u00e9s composes:<\/strong>\n<ul>\n<li><strong><em>Concertino n\u00ba 3 (pequenas m\u00e3os) para pian, 1e orquestra de c\u00e2mara<\/em><\/strong><\/li>\n<li><strong><em>Concerto para acordeom e orquestra de cordas<\/em><\/strong>\u2013 dedicated to Chiquinho do Acordeom (Romeu Seibel).<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_8706\" class=\"wp-caption aligncenter\" style=\"width: 214px;\" aria-describedby=\"caption-attachment-8706\"><figcaption id=\"caption-attachment-8706\" class=\"wp-caption-text\"><a href=\"https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/03\/Img2-1.jpg\"><img decoding=\"async\" class=\"aligncenter wp-image-7336 size-medium\" src=\"https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/03\/Img2-1-300x235.jpg\" alt=\"\" width=\"300\" height=\"235\" srcset=\"https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/03\/Img2-1-300x235.jpg 300w, https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/03\/Img2-1-768x602.jpg 768w, https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/03\/Img2-1.jpg 1000w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>Family party, Chiquinho do Acordeom and Radam\u00e9s at reco-reco.<\/figcaption><\/figure>\n<ul>\n<li>Approved the Divorce Law, through Constitutional Amendment n\u00ba 9.<\/li>\n<\/ul>\n","protected":false},"template":"","anos-da-linha-do-tempo":[969],"class_list":["post-9097","linha-do-tempo-radam","type-linha-do-tempo-radam","status-publish","hentry","anos-da-linha-do-tempo-1977-en"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>1977 - Radam\u00e9s Gnattali<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/radamesgnattali.com.br\/en\/linha-do-tempo-radam\/ano-1977\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"1977 - Radam\u00e9s Gnattali\" \/>\n<meta property=\"og:description\" content=\"On October 11, Radam\u00e9s gives an interview to R\u00e1dio Jornal do Brasil \u2013 FM, Rio de Janeiro, for the program Especial JB, by Luiz Carlos Saroldi, with Ney Hamilton and special participation of producer Pel\u00e3o (Jo\u00e3o Carlos Botezelli). &nbsp; Radam\u00e9s talks about the beginning of his career, his entry into radio, as a pianist. 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