{"id":8286,"date":"2022-04-05T19:51:34","date_gmt":"2022-04-05T19:51:34","guid":{"rendered":"https:\/\/radamesgnattali.com.br\/linha-do-tempo-radam\/1960\/"},"modified":"2022-10-24T19:38:49","modified_gmt":"2022-10-24T19:38:49","slug":"ano-1960","status":"publish","type":"linha-do-tempo-radam","link":"https:\/\/radamesgnattali.com.br\/en\/linha-do-tempo-radam\/ano-1960\/","title":{"rendered":"1960"},"content":{"rendered":"<ul>\n<li>The <strong>Sexteto Radam\u00e9s Gnattali<\/strong> tours Europe for 3 months, joining the <em>III Caravana Oficial de M\u00fasica Popular Brasileira <\/em><strong>[1].<br \/>\n<\/strong><strong>   <\/strong><\/li>\n<li>Radam\u00e9s Gnattali Sextet: in the photo below, Radam\u00e9s, the band&#8217;s leader and arranger, on the piano; his sister A\u00edda Gnattali (second piano), Jos\u00e9 Menezes (electric guitar), and Edu da Gaita (special guest on this tour). In the background, from left to right: Pedro Vidal (bass), Luciano Perrone (drums), and Chiquinho do Acordeom. At the end, composer Luiz Bandeira, invited to participate in the caravan as a singer. Not pictured is the theatrologist Joraci Camargo (1898-1973), who accompanied the group as script writer and master of ceremonies. The author of the piece <em>Deus lhe pague<\/em> had the function, during the concerts, of leading the European listener to understand certain characteristics of Brazilian popular music, without didacticism, with interesting and punctual texts.<\/li>\n<\/ul>\n<p><a href=\"https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/09\/folder-12-foto-12-1.jpg\"><img fetchpriority=\"high\" decoding=\"async\" class=\"aligncenter wp-image-9978 size-medium\" src=\"https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/09\/folder-12-foto-12-1-300x169.jpg\" alt=\"\" width=\"300\" height=\"169\" srcset=\"https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/09\/folder-12-foto-12-1-300x169.jpg 300w, https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/09\/folder-12-foto-12-1-1024x576.jpg 1024w, https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/09\/folder-12-foto-12-1-768x432.jpg 768w, https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/09\/folder-12-foto-12-1.jpg 1200w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_9024\" class=\"wp-caption aligncenter\" style=\"width: 193px;\" aria-describedby=\"caption-attachment-9024\"><figcaption id=\"caption-attachment-9024\" class=\"wp-caption-text\"><a href=\"https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/03\/030-recortes-Teatro-S.Carlos-Lisboa.jpg\"><img decoding=\"async\" class=\"aligncenter wp-image-7039 size-medium\" src=\"https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/03\/030-recortes-Teatro-S.Carlos-Lisboa-158x300.jpg\" alt=\"\" width=\"158\" height=\"300\" srcset=\"https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/03\/030-recortes-Teatro-S.Carlos-Lisboa-158x300.jpg 158w, https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/03\/030-recortes-Teatro-S.Carlos-Lisboa-540x1024.jpg 540w, https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/03\/030-recortes-Teatro-S.Carlos-Lisboa-768x1457.jpg 768w, https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/03\/030-recortes-Teatro-S.Carlos-Lisboa-810x1536.jpg 810w, https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/03\/030-recortes-Teatro-S.Carlos-Lisboa-1080x2048.jpg 1080w, https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/03\/030-recortes-Teatro-S.Carlos-Lisboa.jpg 1330w\" sizes=\"(max-width: 158px) 100vw, 158px\" \/><\/a><\/figcaption><\/figure>\n<ul>\n<li>The Program  <em>Ondas e Estrelas <\/em> (uma parceria da R\u00e1dio Nacional com a TV Rio \u2013 canal 13) transmite diretamente da Sala Leopoldo Migu\u00eas, da Escola Nacional de M\u00fasica da UFRJ, concerto da <em>Orquestra Sinf\u00f4nica da R\u00e1dio Nacional.  <\/em>On the program, two works by Radam\u00e9s Gnattali: the ballet  <em><strong>O Negrinho do Pastoreio<\/strong><\/em> <em><strong>para orquestra,<\/strong><\/em> com reg\u00eancia do autor, e <em><strong>Brasiliana n\u00ba 6 \u2013 concerto para piano e orquestra,<\/strong><\/em> com reg\u00eancia de Ercole Varetto, tendo Radam\u00e9s como solista. (Source: Di\u00e1rio Carioca, RJ, January 24).<\/li>\n<li>Radam\u00e9s records the elep\u00ea <strong><br \/>\n  <em>Secret for two<\/em><br \/>\n<\/strong>with orchestra and choir<em>,<\/em> containing hits from the Brazilian popular songbook.<\/li>\n<li>Odeon releases the elep\u00ea <strong><em>Radam\u00e9s in Europe, with his Sexteto e Edu &#8211; vol.1<\/em><\/strong>.<\/li>\n<\/ul>\n<p><a href=\"https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/09\/cd0022a.jpg\"><img decoding=\"async\" class=\"aligncenter wp-image-9980 size-medium\" src=\"https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/09\/cd0022a-296x300.jpg\" alt=\"\" width=\"296\" height=\"300\" srcset=\"https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/09\/cd0022a-296x300.jpg 296w, https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/09\/cd0022a-768x780.jpg 768w, https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/09\/cd0022a.jpg 800w\" sizes=\"(max-width: 296px) 100vw, 296px\" \/><\/a><\/p>\n<ul>\n<li><strong>Radam\u00e9s composes:<\/strong>\n<ul>\n<li><strong><br \/>\n  <em>Brasiliana n\u00ba 9 &#8211; for cello and chamber orchestra <\/em><br \/>\n<\/strong>(completed in 1961) &#8211; dedicated to Paulo Santos<\/li>\n<li><strong><em>O negrinho do pastoreio (ballet) for large orchestra <\/em>[2]<\/strong><\/li>\n<li><strong><br \/>\n  <em>Choreographic Sonatina (four dance movements) for two pianos<\/em><br \/>\n<\/strong> (from the original for piano solo, 1950)<\/li>\n<li><strong><em>Sonatina for flute and string orchestra <\/em> <\/strong>[3] (transcribed from <em>Sonatina for flute and guitar &#8211; or piano -,<\/em> 1959)<\/li>\n<li><strong><br \/>\n  <em>Three movements for small orchestra<\/em><br \/>\n<\/strong> (taken from <em>Sonatina for guitar and piano, <\/em>1957)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li>Premiere of the play <em>A mais valia vai acabar seu Edgar<\/em>, by Oduvaldo Vianna Filho, with music by Carlos Lyra, at the School of Architecture&#8217;s Arena Theater. It is the birth of the popular protest song.<\/li>\n<li>Philosopher Jean-Paul Sartre and his wife, writer Simone de Beauvoir, visit Brazil and are honored by the federal government.<\/li>\n<li>April 21st marks the inauguration of Bras\u00edlia, the new capital of Brazil. Rio de Janeiro, formerly the Federal District, is renamed Guanabara State.<\/li>\n<li>J\u00e2nio da Silva Quadros, supported by a coalition of conservative parties, is elected president of the Republic. Jo\u00e3o Goulart, from the PTB (Brazilian Labor Party) is elected vice-president.<\/li>\n<\/ul>\n","protected":false},"template":"","anos-da-linha-do-tempo":[951],"class_list":["post-8286","linha-do-tempo-radam","type-linha-do-tempo-radam","status-publish","hentry","anos-da-linha-do-tempo-1960-en"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>1960 - Radam\u00e9s Gnattali<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/radamesgnattali.com.br\/en\/linha-do-tempo-radam\/ano-1960\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"1960 - Radam\u00e9s Gnattali\" \/>\n<meta property=\"og:description\" content=\"The Sexteto Radam\u00e9s Gnattali tours Europe for 3 months, joining the III Caravana Oficial de M\u00fasica Popular Brasileira [1]. 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