{"id":8283,"date":"2022-04-05T19:43:42","date_gmt":"2022-04-05T19:43:42","guid":{"rendered":"https:\/\/radamesgnattali.com.br\/linha-do-tempo-radam\/1954\/"},"modified":"2022-10-24T19:35:52","modified_gmt":"2022-10-24T19:35:52","slug":"ano-1954","status":"publish","type":"linha-do-tempo-radam","link":"https:\/\/radamesgnattali.com.br\/en\/linha-do-tempo-radam\/ano-1954\/","title":{"rendered":"1954"},"content":{"rendered":"<ul>\n<li>Ad\u00e9lia Fossati Gnattali, Radam\u00e9s&#8217; mother, dies in Rio de Janeiro.<\/li>\n<\/ul>\n<p>          <a href=\"https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/03\/Img25-2.jpg\"><br \/>\n            <img decoding=\"async\" class=\"aligncenter wp-image-7463 size-medium\" src=\"https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/03\/Img25-2-156x300.jpg\" alt=\"\" width=\"156\" height=\"300\" srcset=\"https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/03\/Img25-2-156x300.jpg 156w, https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/03\/Img25-2.jpg 246w\" sizes=\"(max-width: 156px) 100vw, 156px\" \/><br \/>\n          <\/a><\/p>\n<p style=\"text-align: center;\"><em>My mother was a housewife, did all the work and still had time to teach music to her children. She was an extraordinary woman (,,,) had a fabulous musical intuition&#8217;.<\/em>.<\/p>\n<ul>\n<li>When the <em>conductors meet, the musicians get fucked!&#8221;,<\/em> parodied the musicians of the PRE-8 orchestra, referring to the program <em><br \/>\n  <strong>When Maestros Meet, <\/strong><br \/>\n<\/em>premiered in July<em><br \/>\n  <strong>, <\/strong><br \/>\n<\/em>that brought together the greatest conductors and arrangers of R\u00e1dio Nacional. In the photo below, some of the legendary arrangers of that time: from left, Alexandre Gnattali, Romeu Ghipsman, Ercole Vareto, Radam\u00e9s Gnattali, and Leo Peracchi.<\/li>\n<\/ul>\n<p>          <a href=\"https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/03\/Img20-3-1.jpg\"><br \/>\n            <img fetchpriority=\"high\" decoding=\"async\" class=\"aligncenter wp-image-7438 size-medium\" src=\"https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/03\/Img20-3-1-300x224.jpg\" alt=\"\" width=\"300\" height=\"224\" srcset=\"https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/03\/Img20-3-1-300x224.jpg 300w, https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/03\/Img20-3-1-768x574.jpg 768w, https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/03\/Img20-3-1.jpg 1000w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><br \/>\n          <\/a><\/p>\n<ul>\n<li>The trombonist Waldemar Moura debuts the <strong><br \/>\n  <em>Fantasia Brasileira n.\u00ba 4<\/em><br \/>\n<\/strong><em> (1953)<\/em>, by Radam\u00e9s Gnattali, in the program <em>Quando os Maestros se Encontram <\/em>, on R\u00e1dio Nacional in Rio de Janeiro.<\/li>\n<\/ul>\n<p>          <a href=\"https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/09\/111-02.jpg\"><br \/>\n            <img decoding=\"async\" class=\"aligncenter wp-image-9971 size-medium\" src=\"https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/09\/111-02-213x300.jpg\" alt=\"\" width=\"213\" height=\"300\" srcset=\"https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/09\/111-02-213x300.jpg 213w, https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/09\/111-02-727x1024.jpg 727w, https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/09\/111-02-768x1081.jpg 768w, https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/09\/111-02.jpg 1000w\" sizes=\"(max-width: 213px) 100vw, 213px\" \/><br \/>\n          <\/a><\/p>\n<ul>\n<li>Radam\u00e9s records two albums, both for the Continental label:  <strong><br \/>\n  <em>Ernesto Nazareth<\/em><br \/>\n<\/strong>with piano <em> and <\/em>celesta solos and string orchestra accompaniment;  <strong><br \/>\n  <em>Brazilian Musical Jewels<\/em><br \/>\n<\/strong>with orchestra, containing famous songs from the Brazilian popular songbook, such as  <em>No<\/em> <em>rancho fundo <\/em>(Ary Barroso e Lamartine Babo), <em>Carinhoso <\/em>(Pixinguinha e Jo\u00e3o de Barro), <em>Linda flor <\/em>(Henrique Vogeler e Marques Porto)<em>, <\/em>entre outras.<\/li>\n<\/ul>\n<p>          <a href=\"https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/06\/105_0522.jpg\"><br \/>\n            <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-8071 size-medium\" src=\"https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/06\/105_0522-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/06\/105_0522-300x300.jpg 300w, https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/06\/105_0522-150x150.jpg 150w, https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/06\/105_0522-768x768.jpg 768w, https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/06\/105_0522-700x700.jpg 700w, https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/06\/105_0522.jpg 800w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><br \/>\n          <\/a><\/p>\n<ul>\n<li>The Continental label releases, still this year, the elep\u00ea <em>Sinfonia do Rio de Janeiro<\/em>, by Tom Jobim and Billy Blanco, with orchestrations and conducting by Radam\u00e9s Gnattali.<\/li>\n<li>The Columbia label releases an elep\u00ea with <strong><br \/>\n  <em>Quarteto Popular<\/em><br \/>\n<\/strong><em> (1940\/41)<\/em>, by Radam\u00e9s, performed by the Official String Quartet of the Escola Nacional de M\u00fasica.<strong><br \/>\n<\/strong><\/li>\n<\/ul>\n<ul>\n<li><strong>Radam\u00e9s composes:<\/strong>\n<ul>\n<li><strong><em>Brasiliana n\u00ba 6 &#8211; concerto, for piano and orchestra<\/em><\/strong><\/li>\n<li><strong><br \/>\n  <em>Brazilian Suite &#8211; dances &#8211; for piano, electric guitar, bass and drums soloists, with orchestra <\/em><br \/>\n<\/strong>(adapted transcription of <em>Su\u00edte popular brasileira for electric guitar and piano, 1953)<\/em><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li> <em>Revista da M\u00fasica Popular<\/em> appears, edited by L\u00facio Rangel, with the participation of Ary Barroso, S\u00e9rgio Porto, and Manuel Bandeira, among others.<\/li>\n<li>The Cia. Cinematogr\u00e1fica Vera Cruz closes its activities.<\/li>\n<li>The city of S\u00e3o Paulo is four hundred years old.<\/li>\n<li>Miss Brazil Martha Rocha fails to win the <em>Miss Universe<\/em> pageant, held in Long Beach (California, USA), under the allegation that she had two inches too much hip.<\/li>\n<li>On August 5, in Rio de Janeiro (RJ), journalist and congressman Carlos Lacerda is attacked on Tonelero Street, in Copacabana, and Major Rubens Vaz, who was accompanying the politician, is assassinated. In the press, Lacerda blames the Vargas government. Politicians who support Get\u00falio accuse Lacerda and his party (UDN) of conspiring against the government by inflaming the armed forces against Get\u00falio.<\/li>\n<li>On August 24, pressured by Carlos Lacerda&#8217;s accusations (without concrete proof) and by the high command of the Armed Forces, which demanded his resignation, Get\u00falio Vargas commits suicide in the Catete Palace.<\/li>\n<\/ul>\n","protected":false},"template":"","anos-da-linha-do-tempo":[945],"class_list":["post-8283","linha-do-tempo-radam","type-linha-do-tempo-radam","status-publish","hentry","anos-da-linha-do-tempo-1954-en"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>1954 - Radam\u00e9s Gnattali<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/radamesgnattali.com.br\/en\/linha-do-tempo-radam\/ano-1954\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"1954 - Radam\u00e9s Gnattali\" \/>\n<meta property=\"og:description\" content=\"Ad\u00e9lia Fossati Gnattali, Radam\u00e9s&#8217; mother, dies in Rio de Janeiro. 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