{"id":8276,"date":"2022-04-05T19:42:22","date_gmt":"2022-04-05T19:42:22","guid":{"rendered":"https:\/\/radamesgnattali.com.br\/linha-do-tempo-radam\/1953\/"},"modified":"2022-10-24T19:35:47","modified_gmt":"2022-10-24T19:35:47","slug":"ano-1953","status":"publish","type":"linha-do-tempo-radam","link":"https:\/\/radamesgnattali.com.br\/en\/linha-do-tempo-radam\/ano-1953\/","title":{"rendered":"1953"},"content":{"rendered":"<ul>\n<li>Opening the first symphonic concert of the  <em>Temporada Nacional de Arte<\/em> <em>de 1953<\/em>The guitarist Garoto (An\u00edbal Augusto Sardinha) performs, in a world premiere, the<strong> <em>Concertino No. 2 for guitar and orchestra<\/em><\/strong><em>  (1951)<\/em>dedicated to him, by Radam\u00e9s Gnattali, with the Municipal Theater Orchestra, conducted by Eleazar de Carvalho <strong>[1].<\/strong>  According to Radam\u00e9s, Garoto realized the greatest dream of his life: to perform on the stage of the Theatro Municipal with his great orchestra.<\/li>\n<li>The weekly newspaper <em><br \/>\n  <strong>Carioca <\/strong><br \/>\n<\/em>(RJ), in its section <em>Discoteca<\/em>, rates as great the record Continental C-16.719 with the <em><br \/>\n  <strong>Brazilian Fantasy<\/strong><br \/>\n<\/em> (face A) and the <em><br \/>\n  <strong>Brazilian Rhapsody (samba and bai\u00e3o) <\/strong><br \/>\n<\/em>(side B), both by Radam\u00e9s Gnattai and Laurindo Almeida, with <em>Radam\u00e9s and his Orchestra<\/em>.<br \/>\n<em> <\/em><\/li>\n<li>In commemoration of the 38th anniversary of its foundation, the Tijuca T\u00eanis Club holds, on the night of June 22, the \u201c<em><strong>Festival da M\u00fasica Brasileira<\/strong>\u201d, with the participation of the great Brazilian Orchestra of R\u00e1dio Nacional<\/em>, composed of 70 figures in addition to singers and choir, arranged and conducted by Radam\u00e9s Gnattali. Composed especially for the event, Radam\u00e9s presents his <em><strong>Fantasia Brasileira n\u00ba3 &#8211; <\/strong> <strong>for piano and orchestra<\/strong><\/em>with the author at the piano.<\/li>\n<\/ul>\n<p><a href=\"https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/03\/Img22-2.jpg\"><img fetchpriority=\"high\" decoding=\"async\" class=\"aligncenter wp-image-7439 size-medium\" src=\"https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/03\/Img22-2-300x227.jpg\" alt=\"\" width=\"300\" height=\"227\" srcset=\"https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/03\/Img22-2-300x227.jpg 300w, https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/03\/Img22-2-1024x774.jpg 1024w, https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/03\/Img22-2-768x580.jpg 768w, https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/03\/Img22-2.jpg 1200w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<ul>\n<li>On August 24th, the first world audition of the <em><strong>Carioca Concert<\/strong><\/em> [n\u00ba1] with Jos\u00e9 Menezes (electric guitar), Radam\u00e9s (piano) and the Brazilian Orchestra of R\u00e1dio Nacional, conducted by Alberto Lazolli. <em><strong>II Brazilian Music Festival<\/strong><\/em>, held at the headquarters of <em>Fluminense Football Club<\/em> in Rio de Janeiro. <strong>[2]<\/strong><\/li>\n<\/ul>\n<p><a href=\"https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/03\/Img21-2.jpg\"><img decoding=\"async\" class=\"aligncenter wp-image-7444 size-medium\" src=\"https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/03\/Img21-2-300x229.jpg\" alt=\"\" width=\"300\" height=\"229\" srcset=\"https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/03\/Img21-2-300x229.jpg 300w, https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/03\/Img21-2-768x587.jpg 768w, https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/03\/Img21-2.jpg 1000w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>In the center of the proscenium, from left to right, the string trio of the Orquestra Brasileira: Jos\u00e9 Menezes, Garoto and Bola Sete (Djalma de Andrade).<\/p>\n<ul>\n<li><strong>Radam\u00e9s composes:<\/strong>\n<ul>\n<li><strong><em>Brazilian Fantasy No. 3 for piano and orchestra<\/em><\/strong><\/li>\n<li><strong><br \/>\n  <em>Fantasia Brasileira n\u00ba 4 for trombone, piano, drums and orchestra <\/em><br \/>\n<\/strong> &#8211; dedicated to Paulo Tapaj\u00f3s. Radam\u00e9s notes in the score: &#8220;<em>written for trombonist Waldemar Moura and drummer Luciano Perrone.<\/em><\/li>\n<li><strong><br \/>\n  <em>Brazilian popular suite<\/em><br \/>\n<\/strong> &#8211; <em> <strong>for piano and electric guitar &#8211; <\/strong><\/em>dedicated to the guitarist Laurindo Almeida.<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li>Get\u00falio Vargas sanctions Law no. 2004, which creates PETROBRAS, crowning a successful popular campaign that mobilized all of the country&#8217;s social strata.<\/li>\n<\/ul>\n","protected":false},"template":"","anos-da-linha-do-tempo":[944],"class_list":["post-8276","linha-do-tempo-radam","type-linha-do-tempo-radam","status-publish","hentry","anos-da-linha-do-tempo-1953-en"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>1953 - Radam\u00e9s Gnattali<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/radamesgnattali.com.br\/en\/linha-do-tempo-radam\/ano-1953\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"1953 - Radam\u00e9s Gnattali\" \/>\n<meta property=\"og:description\" content=\"Opening the first symphonic concert of the Temporada Nacional de Arte de 1953The guitarist Garoto (An\u00edbal Augusto Sardinha) performs, in a world premiere, the Concertino No. 2 for guitar and orchestra (1951)dedicated to him, by Radam\u00e9s Gnattali, with the Municipal Theater Orchestra, conducted by Eleazar de Carvalho [1]. 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