{"id":8273,"date":"2022-04-05T19:37:32","date_gmt":"2022-04-05T19:37:32","guid":{"rendered":"https:\/\/radamesgnattali.com.br\/linha-do-tempo-radam\/1949\/"},"modified":"2022-10-26T19:34:21","modified_gmt":"2022-10-26T19:34:21","slug":"ano-1949","status":"publish","type":"linha-do-tempo-radam","link":"https:\/\/radamesgnattali.com.br\/en\/linha-do-tempo-radam\/ano-1949\/","title":{"rendered":"1949"},"content":{"rendered":"<ul>\n<li>The Brazil-USA Institute (IBEU) presents, at the ABI (Brazilian Press Association) Auditorium, a concert in which the <strong><em>Sonatina for Violin and Piano <\/em><\/strong>[<strong>1]<\/strong> by Radam\u00e9s Gnattali, with Oscar Borgerth on violin and the author on the piano.<\/li>\n<\/ul>\n<figure id=\"attachment_7288\" aria-describedby=\"caption-attachment-7288\" style=\"width: 206px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/03\/101.jpg\"><img fetchpriority=\"high\" decoding=\"async\" class=\"wp-image-7288 size-medium\" src=\"https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/03\/101-206x300.jpg\" alt=\"\" width=\"206\" height=\"300\" srcset=\"https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/03\/101-206x300.jpg 206w, https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/03\/101.jpg 687w\" sizes=\"(max-width: 206px) 100vw, 206px\" \/><\/a><figcaption id=\"caption-attachment-7288\" class=\"wp-caption-text\">1949<\/figcaption><\/figure>\n<ul>\n<li>The Theatro Municipal do Rio de Janeiro presents, in its <em>National Art Season <\/em><strong>[2]<\/strong>, a concert entirely dedicated to the work of Radam\u00e9s. On the program: <strong><br \/>\n  <em>Concerto for Cello and Orchestra<\/em><br \/>\n<\/strong><em> (1941) &#8211; <\/em>soloist, Iber\u00ea Gomes Grosso; <strong><br \/>\n  <em>Concerto Romantico for piano and orchestra<\/em><br \/>\n<\/strong><em> (1949) <\/em>&#8211; soloist, the author; <strong><br \/>\n  <em>Three miniatures for orchestra <\/em><br \/>\n<\/strong><em>(1940)<\/em> e <strong><br \/>\n  <em>Brasiliana no. 1<\/em><br \/>\n<\/strong><em> (1944), <\/em>both for orchestra; conductors, Leo Peracchi and Radam\u00e9s Gnattali.<\/li>\n<\/ul>\n<figure id=\"attachment_7286\" aria-describedby=\"caption-attachment-7286\" style=\"width: 226px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/03\/103.jpg\"><img decoding=\"async\" class=\"wp-image-7286 size-medium\" src=\"https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/03\/103-226x300.jpg\" alt=\"\" width=\"226\" height=\"300\" srcset=\"https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/03\/103-226x300.jpg 226w, https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/03\/103.jpg 602w\" sizes=\"(max-width: 226px) 100vw, 226px\" \/><\/a><figcaption id=\"caption-attachment-7286\" class=\"wp-caption-text\">1949<\/figcaption><\/figure>\n<figure id=\"attachment_7059\" aria-describedby=\"caption-attachment-7059\" style=\"width: 300px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/03\/107.jpg\"><img decoding=\"async\" class=\"wp-image-7059 size-medium\" src=\"https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/03\/107-300x295.jpg\" alt=\"\" width=\"300\" height=\"295\" srcset=\"https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/03\/107-300x295.jpg 300w, https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/03\/107-1024x1006.jpg 1024w, https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/03\/107-768x755.jpg 768w, https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/03\/107.jpg 1100w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-7059\" class=\"wp-caption-text\">Correio da Manh\u00e3 (RJ) &gt; &#8216;Festival Radam\u00e9s Gnattali&#8217;. By Eurico Noqueira Fran\u00e7a<\/figcaption><\/figure>\n<p style=\"text-align: center;\">Correio da Manh\u00e3 (RJ)  &gt;<br \/>\n<em>&#8220;Radam\u00e9s Gnattali Festival&#8221; &#8211;<br \/>\n<\/em>by Eurico Noqueira Fran\u00e7a<\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-8273-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/04\/Track-20-album.mp3?_=1\" \/><a href=\"https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/04\/Track-20-album.mp3\">https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/04\/Track-20-album.mp3<\/a><\/audio>\n<p style=\"text-align: center;\"><em>Romantic Concerto for piano and orchestra<\/em><br \/>\n<em>I &#8211; Allegro <\/em>(excerpt)<br \/>\n<em>National Symphony Orchestra<\/em><br \/>\n<em>Alceo Bocchino, conductor<\/em><br \/>\n<em>Radam\u00e9s Gnattali, piano<\/em><br \/>\n<em>SOARMEC &#8211; S-004 (1997)<\/em><\/p>\n<ul>\n<li>The recording company Continental releases Radam\u00e9s Gnattali&#8217;s samba-can\u00e7\u00e3o, foreshadowing bossa nova. <strong><br \/>\n  <em>Late Afternoon<\/em><br \/>\n<\/strong>performed by the Continental Quartet, formed by Jos\u00e9 Menezes (guitar), Radam\u00e9s (piano), Pedro Vidal (bass) and Luciano Perrone (drums). Still this year, Continental will release Radam\u00e9s&#8217; choro <strong><br \/>\n  <em>Chat<\/em><br \/>\n<\/strong> and the waltz <strong><br \/>\n  <em>Caminho da saudade (Path of homesickness)<\/em><br \/>\n<\/strong>performed by Z\u00e9 Bodega (Jos\u00e9 de Ara\u00fajo Oliveira, sax-tenor), Radam\u00e9s (piano) and Luciano Perrone (drums).<\/li>\n<li><strong>Radam\u00e9s composes:<\/strong>\n<ul>\n<li><strong> <\/strong><strong><em>Brasiliana no. 4 for piano &#8211; <\/em> <\/strong>dedicated to Heitor Alimonda<\/li>\n<li><strong><em>Concerto Rom\u00e2ntico &#8211; for piano and large orchestra<\/em><\/strong><\/li>\n<li><strong><br \/>\n  <em>Concerto Rom\u00e2ntico &#8211; for two pianos <\/em><br \/>\n<\/strong>(transcription of the orchestral part for the second piano)<\/li>\n<li><strong><em>Variations on a series of sounds for violin and piano, with chamber orchestra<\/em><\/strong><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li>Companhia Cinematogr\u00e1fica <em>Vera Cruz<\/em> is founded and the <em>Cin\u00e9dia<\/em> studios close.<\/li>\n<\/ul>\n<ul>\n<li>Get\u00falio Vargas launches himself as a candidate for the Presidency of the Republic.<\/li>\n<\/ul>\n","protected":false},"template":"","anos-da-linha-do-tempo":[940],"class_list":["post-8273","linha-do-tempo-radam","type-linha-do-tempo-radam","status-publish","hentry","anos-da-linha-do-tempo-1949-en"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>1949 - Radam\u00e9s Gnattali<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/radamesgnattali.com.br\/en\/linha-do-tempo-radam\/ano-1949\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"1949 - Radam\u00e9s Gnattali\" \/>\n<meta property=\"og:description\" content=\"The Brazil-USA Institute (IBEU) presents, at the ABI (Brazilian Press Association) Auditorium, a concert in which the Sonatina for Violin and Piano [1] by Radam\u00e9s Gnattali, with Oscar Borgerth on violin and the author on the piano. 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