{"id":8257,"date":"2022-04-05T18:52:27","date_gmt":"2022-04-05T18:52:27","guid":{"rendered":"https:\/\/radamesgnattali.com.br\/linha-do-tempo-radam\/1931\/"},"modified":"2022-10-24T19:29:16","modified_gmt":"2022-10-24T19:29:16","slug":"ano-1931","status":"publish","type":"linha-do-tempo-radam","link":"https:\/\/radamesgnattali.com.br\/en\/linha-do-tempo-radam\/ano-1931\/","title":{"rendered":"1931"},"content":{"rendered":"<ul>\n<li>Composed the year before, Radam\u00e9s premieres his <strong><em>Brazilian Rhapsody for piano, <\/em><\/strong>one of his first major works.<\/li>\n<\/ul>\n<p><a href=\"https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/03\/027.jpg\"><img decoding=\"async\" class=\"aligncenter wp-image-7112 size-medium\" src=\"https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/03\/027-165x300.jpg\" alt=\"\" width=\"165\" height=\"300\" srcset=\"https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/03\/027-165x300.jpg 165w, https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/03\/027-565x1024.jpg 565w, https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/03\/027-768x1393.jpg 768w, https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/03\/027.jpg 800w\" sizes=\"(max-width: 165px) 100vw, 165px\" \/><\/a><\/p>\n<p style=\"text-align: center;\"><em>Di\u00e1rio de Not\u00edcias (RJ) <\/em><em>29.03.1931<\/em><\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li><em><strong> <\/strong><\/em>The Sala Beethoven, in Porto Alegre, holds the <em>Brazilian Night<\/em> event, featuring works by composers Radam\u00e9s Gnattali and Luiz Cosme.<\/li>\n<li style=\"text-align: center;\">Under the guidance of his former teacher, Guilherme Fontainha, Radam\u00e9s moved to Rio de Janeiro to prepare for a competitive examination for the position of professor at the National Institute of Music, to be held in a few months[1].<\/li>\n<li>Radam\u00e9s participates, in Rio de Janeiro, in the program of <em>the Fourth Official Concert of the National Music Institute<\/em>, in 1931, together with Luciano Gallet, Villa-Lobos, Lorenzo Fernandes, Luiz Cosme and Camargo Guarnieri.<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_9321\" class=\"wp-caption aligncenter\" style=\"width: 164px;\" aria-describedby=\"caption-attachment-9321\"><figcaption id=\"caption-attachment-9321\" class=\"wp-caption-text\"><a href=\"https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/03\/070.jpg\"><img decoding=\"async\" class=\"aligncenter wp-image-7304\" src=\"https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/03\/070-300x219.jpg\" alt=\"\" width=\"241\" height=\"176\" srcset=\"https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/03\/070-300x219.jpg 300w, https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/03\/070-768x560.jpg 768w, https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/03\/070.jpg 1000w\" sizes=\"(max-width: 241px) 100vw, 241px\" \/><\/a>4th Concert of the 1931 Official Series &#8211; National Institute of Music. (17.12.1931)<\/p>\n<\/figcaption><\/figure>\n<p><a href=\"https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/03\/069a.jpg\"><img decoding=\"async\" class=\"aligncenter wp-image-7113 size-medium\" src=\"https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/03\/069a-153x300.jpg\" alt=\"\" width=\"153\" height=\"300\" srcset=\"https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/03\/069a-153x300.jpg 153w, https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/03\/069a-522x1024.jpg 522w, https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/03\/069a.jpg 700w\" sizes=\"(max-width: 153px) 100vw, 153px\" \/><\/a><\/p>\n<p style=\"text-align: center;\">Correio da Manh\u00e3 (RJ) (column <em>Correio Musical<\/em>) (12.12.1931)<\/p>\n<ul>\n<li>The instrumentalist, composer and conductor Nelson de Macedo, to whom Radam\u00e9s dedicates the <strong><em>Divertimento a tr\u00eas para violino, viola e violoncelo<\/em><\/strong><em>,<\/em> in 1983<em><em>.<\/em><\/em><\/li>\n<li>Singer and composer Jo\u00e3o Gilberto (Jo\u00e3o Gilberto do Prado Pereira de Oliveira, 1931-2019) is born in Juazeiro, Bahia. From his recording of the samba <em>Chega de Saudade<\/em>samba, by Tom Jobim and Vin\u00edcius de Moraes, in 1959, historians and scholars of Brazilian popular music consider it the founder of a new type of samba, which would establish and consolidate itself, throughout the 1960s, as <em>bossa nova <\/em>[2].<\/li>\n<li><strong> <\/strong><strong><strong>Radam\u00e9s composes:<\/strong><\/strong>\n<ul>\n<li><strong> <\/strong><strong><br \/>\n  <em>For my ranch, <\/em><br \/>\n  <em>for singing and piano &#8211; <\/em><br \/>\n<\/strong><em>verses by Vargas Netto <\/em>(Work cited in the press, the score is not in the author&#8217;s archive).<\/li>\n<li><strong><em>Little Suite, for 2 violins, viola, cello and piano<\/em><\/strong><\/li>\n<li><strong><em>Ponteio, Roda and Baile,<\/em> <em>for piano<\/em><\/strong> &#8211; with dedication to <em>Vera<\/em>, his fianc\u00e9e.<\/li>\n<li><strong><br \/>\n  <em>Three poems by Augusto Meyer, for singing and <\/em><br \/>\n<\/strong><strong><br \/>\n  <em>piano <\/em><br \/>\n<\/strong> <em>(I.Guitar; II. Prayer of the Cattle Star; III. Bagpipe &#8211;  <\/em>the latter, finished in 1935<em>). <\/em>Dedicated to the baritone Adacto Filho.<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<audio class=\"wp-audio-shortcode\" id=\"audio-8257-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/04\/Track-13-album.mp3?_=1\" \/><a href=\"https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/04\/Track-13-album.mp3\">https:\/\/radamesgnattali.com.br\/wp-content\/uploads\/2022\/04\/Track-13-album.mp3<\/a><\/audio>\n<p style=\"text-align: center;\"><em>III. Ball<\/em><\/p>\n<p style=\"text-align: center;\"><em>Radam\u00e9s Gnattali, by Olinda Alessandrini<\/em> FUNPROARTE &#8211; s\/n\u00ba (POA, n\/a)<\/p>\n<div class=\"timeline-post white-post ht-content-design-2\">\n<div class=\"ctl_info event-description small\">\n<div class=\"content-details\">\n<ul>\n<li>Villa-Lobos gathers representatives from various social classes in S\u00e3o Paulo and organizes an Orpheonic Concentration called <em>Exorta\u00e7\u00e3o C\u00edvica (Civic Exhortation<\/em>), with the participation of about 12 thousand voices<\/li>\n<\/ul>\n<ul>\n<li>The samba<em> Se voc\u00ea jurar (If you swear<\/em>), by Ismael Silva, Nilton Bastos, and Francisco Alves, recorded by Francisco Alves and M\u00e1rio Reis, outlines a new, less amaxixada samba beat that will become the classic standard of samba in Rio de Janeiro to this day.<\/li>\n<li>On October 12, the statue of Christ the Redeemer is inaugurated atop Corcovado Mountain in Rio de Janeiro.<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"template":"","anos-da-linha-do-tempo":[923],"class_list":["post-8257","linha-do-tempo-radam","type-linha-do-tempo-radam","status-publish","hentry","anos-da-linha-do-tempo-1931-en"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>1931 - Radam\u00e9s Gnattali<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/radamesgnattali.com.br\/en\/linha-do-tempo-radam\/ano-1931\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"1931 - Radam\u00e9s Gnattali\" \/>\n<meta property=\"og:description\" content=\"Composed the year before, Radam\u00e9s premieres his Brazilian Rhapsody for piano, one of his first major works. 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